
Black Lightning / Mr. Pierce
Black Lightning, a member of the DC superhero team, The Outsiders, distinguishes himself by carrying on a day job as an English teacher simultaneous to his work as a costumed hero. In the classroom, as Mr. Pierce, he is committed to making a difference in his students’ lives, despite the obstacles they may face: “I came here to teach,” he once exclaimed, “and I can do that whether I’m in a classroom or a locker room — or out on the street.” This double life, however, takes its toll, and leaves Pierce with hardly a moment to rest. In one story, after spending the night out as Black Lightning, he remarks, visibly exhausted: “Schoolteacher Jefferson Pierce still has some English papers to grade before morning.” For such characters, the stress of a double life reveals the impediments that teachers may encounter when trying to maintain out-of-school interests and identities. To greater or lesser degress, these may be at odds with mainstream western cultural expectations and cultural myths about teachers — such as the view that teachers are rugged individualists and self-made experts, as noted by education researcher Deborah P. Britzman.Johnny Thunder / Mr. Tane
First appearing in 1940s western comics, much of cowboy superhero Johnny Thunder’s story line involves a struggle between his desire to enact vengeance and justice at gunpoint, and his wish to teach children about civic duty in the classroom as Mr. John Tane. The comics’ narrating voice describes this confusion of identities as a “dual post as fighter with books and bullets for justice” in a 1951 issue of All American Western (Issue 120). Tane’s father is also the local sheriff, and often humiliates his son for working as a teacher: “Teachin’s for womenfolk!” he says, “An fightin’ for justice a man’s job.” Education researchers Shannon D. M. Moore and Melanie D. Janzen have examined how campaigns by governments that criticize teachers or the teaching profession, and seek to justify underfunding education, rely on gendered projections that suggest patriarchal surveillance over teaching devalued as “women’s work.” Though he has his suspicions, Sheriff Tane never does discover his son’s secret identity, nor does he come around to respect his work in the classroom, a fact that leads his son to feel understandably confused about who he actually is. For example, in one image from All-American Western, violent reverberations of Tane’s face, rendered by multiplying its outline more than 15 times, indicate the degree to which his own identity lacks coherence. Indeed, after reading through every single issue of this character’s run, I’m left unsure about whether to consider Johnny Thunder or Mr. Tane as the character’s true identity. The split identity struggles of Black Lightning and Johnny Thunder resonate with themes that education scholars Dennis Sumara and Rebecca Luce-Kapler have noticed in beginning teachers, who often join the profession experiencing a sense of “dissonance between their pre-teaching lives and their lives as experienced teachers.” Unsurprisingly, they find, this is especially true for teachers from marginalized groups, including racialized teachers, immigrant teachers and gay and lesbian teachers. (Other research notes LGBTQ+ teachers struggle to find safe space in schools to be themselves.) Just as Pierce has trouble fitting both his lives into the larger frame of “teacher,” and we aren’t sure who Tane really is, so may novice teachers be forced to negotiate between what Sumara and Luce-Kapler name as “conflicting remembered, lived and projected senses of identity.”Barbie
A surprising example of a character able to balance her life in and out of the classroom is Barbie. (Yes, that Barbie!) In a 1990s storyline, Barbie decides to pursue a career as a teacher, even though she is already well-known as a model. Her sentiments may be a little saccharine and naïve — “I hope I’ll be a good teacher,” she thinks to herself, “and that the students learn a lot from me.” Yet, it’s also refreshing to see her able to express such inner thoughts, and to admit emotional concerns as an important component of who she is as a teacher.
Already well-known as a model, Barbie also pursues a teaching career. (‘Barbie Fashion’ Issue 23, 1992/Marvel Comics)