
Landscapes of mystery and fear
In my book, Contentious Terrains: Boglands, Ireland, Postcolonial Gothic, I examined how cultural and literary narratives about peatlands in Ireland often evoke gothic elements through the mysterious and macabre as a response to colonial histories. The gothic refers generally to modes, themes and stylistic representations of horror or the uncanny across European cultural history dating back to the 18th century. Northern European storytellers have often relied on peatland landscapes to capture a frightening or spooky mood or atmosphere, such as in English classic novels like Emily Brontë’s Wuthering Heights or Arthur Conan Doyle’s Hound of the Baskervilles. Such tales drew on longer-standing oral and cultural traditions that looked to peatlands as liminal spaces, places that appealed to a sense of the uncanny and the supernatural.
Ruins of the farmhouse that some believe inspired Emily Bronte’s ‘Wuthering Heights,’ set in the West Yorkshire windswept moorlands. Both wet and dry moors are peatlands, but if wet, a moor is generally synonymous with a bog. (Shutterstock)
Folkloric accounts
A rich folklore involving fear and death, in addition to ghosts and hauntings, emerges from accounts of peatlands. According to Irish folklore, the púca or “pooka” is a shape-shifter that uses the mysterious terrain of bogs to either deceive or assist people. Often appearing in rural or marine environments, the pooka is a trickster figure capable of morphing into various forms: black horses, goats, rabbits and cats, as well as humans. In The Origin and History of Irish Names and Places, under the “fairies, demons, goblins and ghosts” section, Irish historian and etymologist P.W. Joyce describes the pooka as a contradictory mix of merriment and malignity. Folklore commonly referred to distant lights known to spontaneously appear on peatlands as will-o’-the-wisps (or ignis fatuus — Latin for “foolish fire”) — a type of ghost also known as “bog sprites,” “water sheeries,” “fairy lights” and even the more familiar jack-o’-lantern. Science journalist Kit Chapman explains that a scientific theory for these lights exists, but is still debated. Some scientists maintain that in some peatland environments, the highly flammable chemicals of phosphine and diphosphane that are produced from the fermentation process in these highly anaerobic marshy lands can spontaneously ignite with exposure to oxygen at various temperatures on the surface. Storytellers told of how flickering forms, often resembling candles or fire bursts, would sometimes help wayward travellers find their way. Or, according to other accounts, will-o’-the-wisps sometimes led travellers to an untimely death. Wet peatlands (bogs) can be visually deceptive: what looks like solid ground can give way and claim a person by suffocation or drowning.‘Bog bodies’
Peatlands are also associated with the now-famous mummified “bog bodies” found in various parts of northern Europe. These bodies have been preserved for thousands of years, including fingerprints, nails, hair and facial features, all due to the decay-defying, oxygen-deficient (anaerobic) environment. Commentary about the environmental insights afforded by studying and contemplating bog bodies, and the ethical issues inherent in excavating, displaying or writing about them, point to how peatlands continue to encourage deep reflection about our relationships with cultures and environmental history.
Head of bog body known as ‘Tollund Man.’ Found in 1950 near Tollund, Silkebjorg, Denmark, and about 2,300 years old.